The result is a critically-acclaimed music venue that has been featured on the big screen and enjoyed by thousands of music lovers in its first year of operation.

The $7.5 million Ngeringa Cultural Centre opened in the Adelaide Hills region of South Australia in August 2015 and has quickly become a favorite venue among musicians and audiences alike.

Designed by Adelaide-based architect Anton Johnson, the multi-purpose 220-seat concert hall has been modeled to have a spacious and enveloping sound while preserving the intimate scale and aesthetic character of the space.

“Chamber music was always the central point of the brief and very closely allied to that was the rural location,” Johnson says. “Without a doubt every musician who’s played in that space has remarked on the acoustics mainly in terms of the fullness and the quality of the sound. Already it’s starting to establish itself as a premier chamber music venue for Australia.”

World Renowned

The building featured in Scott Hicks’ latest offering Highly Strung, a feature-length documentary following the fortunes of the Australian String Quartet, which has performed at the venue several times including at the documentary’s finale.

But its story can be traced back to the 1980s when biochemist Dr. Jurgen Klein and his wife Ulrike, a horticulturalist, moved to South Australia to start cosmetics and natural skincare company Jurlique in the Adelaide Hills.

Jurgen left Australia in the early 2000s and Jurlique was gradually divested to overseas interests. Ulrike, who has always had a passion for chamber music, has turned her attention to philanthropy through the Klein Family Foundation and Ngeringa Arts, named after the casuarina trees that grow on the Adelaide Hills property where Jurlique flourished.

In 2012, after Ulrike sold her remaining stake in Jurlique, the Klein Family Foundation pledged $3 million toward a $6 million Ngeringa Arts project to acquire a unique set of instruments handcrafted by Giovanni Battista Guadagnini, one of history’s foremost luthiers, in Italy from 1743 to 1784.

Three of the instruments have been secured through the Guadagnini Quartet Project and are on loan to the Adelaide-based Australian String Quartet, which also has use of a fourth Guadagnini. It is the world’s only matched quartet of Guadagnini’s.

Not content with providing the ASQ with instruments, Ngeringa Arts set about building a world-class venue for chamber music to be played in.

Hicks, the director of the Academy Award winning movie Shine (starring Geoffrey Rush), says he was astounded by the size and scale of the building on his first visit.

“You really feel as though something astonishing has been set in South Australia and now it’s up to us and up to the state to utilize it,” he says.

Running on Rain

The center’s commercial business model allows it to host functions such as weddings and conferences and also includes guest quarters for artists in residence. The raked seating is retractable, opening up a flat floor space to seat 150 dinner guests.

Its intimacy is enhanced with the audience seated around the performance space on three sides. A 29 feet wide and 13.5 feet high glass wall faces the summit of Mount Barker and the twin peaks, with a foreground view of a newly designed garden.

Johnson says concerts are generally held at 3:00 p.m. to maximize the view.

“That orientation is directly east and certainly in the afternoon towards sunset the sun hits the mountain and it is particularly beautiful,” he says. “It’s a very close integration and synergy between nature, the environment and music. The history of the farm itself and the whole basis of the Jurlique cosmetics was one of nature and organics and purity so that’s what’s come into the building as well.”

The property is also self-sufficient. A solar photovoltaic grid generates electricity and up to 250,000 liters of rainwater is collected and stored to run the center. A further 250,000 liters is captured and stored for firefighting purposes and all of the sewage is dealt with on site.

Johnson has a wide range of experience from schools to hotels, residential homes and office buildings. He has also designed a chamber music center in Cape Town, South Africa.

“Certainly music is something that is quite close to my heart as well,” he says. “I think most people would associate acoustics with trying to keep sound out of buildings but in this case we were actually dealing with a completely different concept where we are actually handling the sound within the space and modulating the reflections and the refraction of that sound in order to enhance its qualities.”

Ngeringa Arts General Manager Alison Beare says the auditorium’s acoustics had been recognized by commentators as the best chamber music space in Australia.

“If you look at all of the detail on the walls every piece of wood in the space has been calculated to give the optimum acoustical performance,” she says. “The carpenters who worked on this building realized they were involved in something really special. The acoustician would fly in from Brisbane to check the work and the absolute attention to detail and every finish was just extraordinary to watch.”