This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
A relatively inexpensive hobby of mine is the collecting of old technology books. My collection includes books on rebuilding player pianos, blacksmithing and a mail order course on how to set up a vacuum tube radio repair shop (I will be set if my time machine leaves me stranded in the 1850s or 1950s).
I love it when a plan comes together. Those of you who know me know that I like to push the envelope with my designs. If I can’t find an acoustic treatment that meets my needs, then I’ll design one.
Also called the “coincidence dip” or “critical frequency,” this hole-in-the-wall is the easiest way for noise to travel through most walls; a narrow band-pass at 3000 Hz. Today, a new hole-in-the-wall gang is taking advantage of this natural phenomenon.
Acoustics is given a low priority in many building projects. It usually doesn't start off that way at the beginning of the project but its high status can be slowly chipped away by noisy site selection, misprogramming of the building, cost-cutting measures here, nonprofessional opinions there and compromise (pronounced "surrender") by weary building committee members who just want the project to be done.